Vocal Analysis

Phil Anselmo’s vocal range is commonly reported as approximately E1 to B♭5, spanning four octaves and six semitones. Some fan-led

Peter Steele’s vocal range is commonly reported as F1 to G5, spanning approximately four octaves and two semitones. However, this

Paul McCartney’s vocal range is conservatively estimated at approximately F♯2 to B5, spanning three octaves and five semitones. Another frequently

Luciano Pavarotti was an operatic tenor with well-documented performances of the tenor high C, C5. The Metropolitan Opera archive records

Patti LaBelle’s vocal range is commonly reported as approximately B♭2 to E6, covering three and a half octaves. Some vocal

Pat Benatar’s documented song range is approximately E3 to B5, spanning two octaves and seven semitones. This estimate is based

Ozzy Osbourne’s complete recorded vocal range is not verified by the sources reviewed here. A1–D-sharp5 is a circulating estimate, not

Olivia Rodrigo’s documented vocal range is approximately E♭3 to A♭5, spanning two octaves and five semitones. The lower boundary appears

Mitski’s complete career vocal range is not established by the sources reviewed here. A concrete song reference is the published

Minnie Riperton is widely described as a singer with a five-octave range, especially because of her whistle-register singing. That is